FG830 Features

• Inlays: Dot
• Neck: Nato
• Fingerboard: Rosewood
• Number of Frets: 20
• Bridge Material: Rosewood
• Nut Width: 1.6875″
• Scale: 25.5″
• Tuning Machines: Die-cast chrome
• Saddle: Urea

Priced at around $300 the guitar is about in the middle ground of what could be considered a “starter” guitar. The sound of this killer guitar however suggests a much higher end instrument. Also Yamaha has built the FG830 in two sizes, Concert and Dreadnought, so pay close attention to what you are ordering and get the size you prefer. This guitar comes in a myriad of colors that as well that include Autumn Burst, Natural, classic Tobacco Sunburst and more.

To read more about guitar shapes and sizes check out Harmony Central if you are not sure what is right for you.

As a beginner the smooth fingerboard will be more forgiving on your fret hand and the slim neck and low action will make the experience of toughening up your fingertips even easier. Not painless, but much better than most. In fact, the FG 830 neck feels a lot like an electric guitar is some ways but fretting chords, while being easy, do require a bit more oomph as they would with any acoustic instrument.

Check out the look and the tone in the video below.

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Out of the box this guitar is going to need some attention. Visit you local Guitar Center, or if they are already bankrupt by the time you read this find a local luthier or music store that does acoustic guitar set ups. Get a new set of strings, lower the action and have them check the intonation. This is all done in a standard set up and shouldn’t be hard to find.

The FG series is hugely popular, and the FG 830 is a fine example of Yamaha quality. This is a sturdy instrument that makes a great starter guitar, but you will also find it in the hands of experienced players as well. The low price point makes it great for gigging and its tone might find its way into a studio recording. If you need a reliable guitar at a great price the Yamaha FG830 is a good fit.

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Acoustic guitars are either light and easy to play with a thin tone or are huge beasts you have to wrestle down but sound amazing. The rare instruments, light and tonally pleasing, are few and far between. This Taylor GS Mini review covers the latter and will be a big surprise to experienced players that pick it up and expect the usual thin tone from such a light and breezy instrument.

The classic Grand Symphony (GS) is a fantastic guitar and this is essentially a scaled down version of that. The narrow mid section of the guitar makes playing while sitting very comfortable and the decreased depth of the body itself helps the guitar conform to the player more smoothly by requiring less shoulder extension. The length of the guitar is 36 5/8″ with a scale of 23 1/2″. The depth of the body is 4 7/16″ and while being slightly more shallow than the standard GS this decrease doesn’t sacrifice tone. If the purpose of the guitar was to make it easier to play on the go without losing alot of the classic Grand Symphony sound then well done.

Don’t confuse the mini with the older Baby Taylor, which is actually quite a bit smaller. The mini is clearly an evolved version of the Baby embracing the smaller size (but larger) and increasing the tone and playability.

Features:

• Case: GS Mini Hardbag
• Top: Sitka Spruce
• Shape: GS
• Back/Sides: Layered Sapele
• Finish: Satin
• Neck: Sapele
• Cutaway: None
• Headstock: Lexan
• Inlays: 5mm dots
• Nut: 1-11/16″
• Fretboard: Ebony
• Body Depth: 4-7/16″
• Body Width: 14-3/8″
• Body Length: 17-5/8″
• Pins: Plastic
• No of Frets: 20
• Pickguard: Tortoise
• Overall Length: 36-5/8″
• Scale Length: 23-1/2″
• Bridge: Ebony
• Nut/Saddle: Tusq Nut/Micarta Saddle
• Tuners: Chrome

Action on an acoustic guitar has to be right or the instrument becomes unplayable real fast. Taylor is known for its great action and even their entry level guitars play smooth. This GS Mini does the brand proud and will continue the great Taylor legendary action. the Taylor NT neck feels like the full sized version, albeit smaller, and the instrument feels like a much higher end guitar. Taylor really knocked it out of the park here.

The gleaming gold grain has an illusion of depth and the laminated sapele sides and back are honey colored mahogany. The guitar has a solid Sitka top and an ebony bridge and fretboard. The mini uses the same materials for the nut, tuners and saddle that Taylor uses on the full sized guitars so no skimping there.

It’s time to get serious about the tone here. It isn’t possible for the GS Mini to have the same sound as a full GS or a dreadnaught. The builders must eventually give in to the physics of sound and embrace the fact that this guitar is smaller and that’s the deal. The highs are very clear, the mids are smooth and gentle and the lows don’t rumble so the guitar sounds great, just without the full harmonic range of its larger sized cousins. I I had to guess if this was as good as it get’s with this sized body I would lean towards yes. Tested under a D standards tuning as well as Drop C and E standard (with the same strings!) the guitar held up great. If I were to stay in Drop C I’d get heavier gauged strings than the mediums that came on the guitar but that unavoidable and not an issue with the instrument.

Taylor makes some great guitars and the Taylor GS Mini is counted among them. It is affordable, mobile, great sounding and gracefully playable. This get s a big thumbs up.

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In today’s Taylor Big Baby review we will cover many details of the instrument in hopes of helping you decide if this guitar is a good choice for you. The full sounding Taylor Big Baby is, as the name suggest, larger than the Baby Taylor with a fuller sound and four inch body depth. This is slightly more shallow than a typical Dreadnought sized guitar (see description here) but still has the large sound associated with it. The Big Baby could be considered a mid-sized guitar being slightly larger than the Baby Taylor and slightly smaller than a full sized guitar. The Big Baby is a great size for learners as well as experienced musicians that want an easier playing experience without sacrificing sound. The instrument is very portable given its depth and weight with almost all of the dreadnought fullness and volume. The arched back gives the guitar its strength and is a big contributor to the wide tonal output overall. The Big Baby comes with a durable gig bag that has a good fit and offers good protection (but not as much as a flight case.)

Features:

• Type: 6-String 15/16 Size
• Total Length: 40 1/4 Inches
• Case: Gig Bag
• Body Length: 19 1/2 Inches
• Body Depth: 4 Inches
• Body Width: 15 Inches
• Fret Number: 20
• Neck Width at Nut: 1 11/16 Inches
• Scale Length: 25 1/2 Inches
• Nut & Saddle: Tusq Nut/Micarta Saddle
• Bridge: Ebony
• Headstock Overlay: Lexan
• Fretboard Inlay: Pearloid Dots
• Fretboard: Ebony
• Neck: Tropical American Mahogany
• Soundhole Rosette: Plastic
• Top: Sitka Spruce
• Back & Sides: Layered Sapele

The guitar top is Sitka Spruce and blends its natural elasticity and stiffness in perfect proportions to build a great sound. As the primary filter and vibrational distributor of the guitar this level of qulaity has a temendous impact on the guitar’s warm textural sound. The guitar has a dynamic range with crisp and very clean articulation that can be heard all the way in the cheap seats.

The Big Baby is sturdy and resistant to humidity and temperature changes due to the layered wood in the back and sides. This makes the guitar perfect for the travelling musician who needs a more durable instrument.

Quality, playability, and a wide tonal range and ethically sourced raw materials sets Taylor Guitars apart and the Big Baby will not disappoint.

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